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FRENCH MUSICAL CULTURE AND THE COMING OF SOUND CINEMA IBD

OXFORD UNIVERSITY PRESS, USA
10 / 2018
9780190635985
Inglés

Sinopsis

In French Musical Culture and the Coming of Sound Cinema, author Hannah Lewis argues that debates about sound film resonated deeply within French musical culture of the early 1930s, and conversely, that discourses surrounding French musical styles and genres shaped cinematic experiments during the transition to sound.