STUDIES IN DANTE AND CHRISTIAN ESOTERISM IBD

Sinopsis

René Guénon (1886-1951) was one of the great luminaries of the twentieth century, whose critique of the modern world has stood fast against the shifting sands of intellectual fashion. His extensive writings point ceaselessly to the perennial wisdom found in past cultures ranging from the Shamanistic to the Indian and Chinese, the Hellenic and Judaic, the Christian and Islamic, and including also Alchemy, Hermeticism, and other esoteric currents, they direct the reader also to the deepest level of religiousápraxis, emphasizing the need for affiliation with a revealed tradition even while acknowledging the final identity of all spiritual paths as they approach the summit of spiritual realization.áOne of René GuénonâÇÖs lifelong quests was to discover, or revive, the esoteric, initiatory dimension of the Christian tradition.Especially since the Renaissance, some in Western Christendom have suspected that the deeper dimension of their tradition has somehow been lost, and have therefore sought to discover, or create, an 'esoteric' or 'initiatic' Christianity. In the middle of the nineteenth century two scholars, Gabriele Rossetti and Eugÿne Aroux, pointed to certain esoteric meanings in the work of Dante Alighieri, notablyáThe Divine Comedy. Partly based on their scholarship, Guénon in 1925 publishedáThe Esoterism of Dante. From the theses of Rosetti and Aroux, Guénon retains only those that prove the existence of such hidden meanings, but he also makes clear that esoterism is not 'heresy' and that a doctrine reserved for an elite can be superimposed on the teaching given the faithful without standing in opposition to it. A collection of related articles was published posthumously in 1954 under the titleáInsights into Christian Esoterism.áIn these articles Guénon undertakes to establish that the three parts ofáThe Divine Comedyárepresent the stages of initiatic realization, exploring the parallels between the symbolism of theáCommediaáand that of Freemasonry, Rosicrucianism, and Christian Hermeticism, and further illustrating DanteâÇÖs knowledge of traditional sciences unknown to the moderns: the sciences of numbers, cosmic cycles, and sacred astrology. Guénon also touches here on the all-important question of Medieval esoterism and discusses the role of sacred languages and the principle of initiation in the Christian tradition, as well as such esoteric Christian themes and organizations as the Holy Grail, the Guardians of the Holy Land, the Sacred Heart, the Fedeli dâÇÖAmore and the âÇÖCourts of LoveâÇÖ, and the Secret Language of Dante. The present volume brings both works cited above together with a separate study on Saint Bernard.'Guénon established the language of sacred metaphysics with a rigor, breadth, and intrinsic certainty that compel recognition as a standard of comparison for the twentieth century.' -Jean Borella'It was Guénon who taught me to seek and love the truth above all else, and to be unsatisfied with anything else.'