CONTESTED HERITAGE - REMOVING ART FROM LAND AND HISTORIC BUI IBD

Sinopsis

Statues, sculpture and paintings may be part of buildings or land. If so, property ownership is made more complex. Removing such works might require a planning or heritage consent. These issues are important for the art market and of wider public interest in the debate over contested heritage.It includes:Property law on ownership, conversion of goods and saleThe working of listed building consent, planning permission, scheduled monument consent and conservation area,The meaning of âÇÖbuildingâÇÖ, âÇÖfixedâÇÖ and âÇÖcurtilageâÇÖFull analysis of the Supreme CourtâÇÖs decision ináDill v Secretary of Stateá[2020] UKSC 20The recent changes in law and policy on contested heritageChanging street names and moving church treasuresFull coverage of the law and policy in England, Wales and Northern IrelandThis book will be of interest to art lawyers, planning, property and private client lawyers dealing with heritage, planning and heritage consultants, conservation students and art law students.ABOUT THE AUTHORSRichard Harwood OBE QC specialises in planning, environmental, public and art law at 39 Essex Chambers. In particular he acts for art owners, regulators and third parties on the removal of works of art, listing, export control and contested heritage. His recent major heritage cases have includedáDilláin the Supreme Court and the Stonehenge road tunnel.David Sawtell is at 39 Essex Chambers. He was called to the Bar by LincolnâÇÖs Inn in 2005. His practice combines property law, construction law and commercial work, both domestically and internationally. He undertook his BA and his MPhil at the University of Cambridge, and completed the MSc in Construction Law at KingâÇÖs College, London. David is a Fellow of the Chartered Institute of Arbitrators. He is currently researching towards his PhD at the University of Cambridge.Catherine Dobson has a broad practice which combines general public law, environmental law and public international law. She has developed a niche expertise in historic environment matters, and has acted for owners and interest groups on art and antiquities matters, in particular on issues relating to the removal of art from historic buildings. She acted (led by Richard Harwood QC) for the successful for the former owneráin Dill v Secretary of State for Communities and Local Governmentá[2020] UKSC 20, where the Supreme Court clarified the test for what can constitute a listed building. She has recently advised on the lawfulness of removal of a high value statue from a listed building. She has lectured on these topics at the Institute of Art and Law and is a Fellow of St EdmundâÇÖs College, Cambridge, where she teaches constitution law.áIn 2020 Catherine was named Environmental and Planning Law Junior of the Year in the Chambers UK Bar Awards.CONTENTSIntroductionPART ONE: REGULATORY CONSENTSOverviewChapter One - Listed Building ConsentChapter Two - Planning PermissionChapter Three - Scheduled Monuments and Conservation AreasChapter Four - Grant of Regulatory ConsentChapter Five - Street NamesChapter Six - The Church of EnglandPART TWO: OWNERSHIPOverviewChapter Seven -Annexation to the LandChapter Eight -ConversionChapter Nine -ConveyancePART THREE: A CASE STUDYChapter Ten -The Statue of Edward Colston in Bristol