Esta web utiliza cookies propias y de terceros que nos permiten optimizar tu experiencia en el sitio web, evaluar su rendimiento, generar estadísticas de uso y mejorar y añadir nuevas funcionalidades. Mediante el análisis de tus hábitos de navegación podemos mostrar contenidos más relevantes y medir las interacciones con la web.
Puede obtener más información aquí.

Avanzado
Artículos
Portada

SMOKE IN MIRRORS IBD

PAUL MICHAEL DAVIES
GONDWANA PRESS
07 / 2020
9780648599883
Inglés

Sinopsis

Smokes and Mirrors - Screenwriters Admit to Make Believe áis a collection of interviews with Australian screenwriters originally published in Metro Magazine and Cinema Papers. In these revealing conversations áKeith Thompson tries to imagine a 'three dimensional image dancing'. Peter Yeldham agrees itâÇÖs 'all in your mind'. For Mark Shirrefs itâÇÖs about a 'different way of looking at things'. Andrew Knight strives to get to 'the heart of the matter'. Roger Simpson searches for the 'story engine'. John Hughes works between 'fact and fiction'. Everett de Roche claims to be 'only the writer'. For Shane Maloney the stories are always about 'crime, politics and the girl.' And Elizabeth Huntly quite literally 'hears voices'. All nine writers are talking about the art of make-believe, of putting words on a page for the purpose of producing moving images, of holding the mirror up with too many smokes in the way. All were part of a revolution in local teledrama that took place in the early 1970s and subsequently fed into the revival of Australian film and television that continues to this day.Some of their work includes classics such as: Seachange, Homicide, The Sullivans, Neighbours, Patrick, Long Weekend, Ride On Stranger, Age of Consent, Touch And Go, The Sapphires, Clubland, Gail, The Girl From Tomorrow, Spellbinder, Stingers, Good Guys, Bad Guys, Halifax FP, What I Have Written, Film Work, Stiff, The Brush Off and Something In The Air.